This research explores the theme of intertextuality in Naguib Mahfouz's novel "Cairo Modern," considering it a mechanism within the creative processes discussed by postmodernera critics. This study aims to examine instances of intertextuality with folk proverbs in the aforementioned novel. The significance of this research lies in highlighting the role of the eminent author Naguib Mahfouz in the literary field. It showcases his ability to draw from other texts through citation, absorption, or transformation to create his artistic material. This, in turn, enriches the novel both in form and substance. The research adopts a descriptive analytical approach, theoretically explaining the phenomenon of intertextuality. In terms of analysis and application, it focuses on highlighting the model of intertextuality with folk proverbs. The study explores its objective and artistic functions, elucidates the reasons for its use, and justifies its citation by the author or one of the characters. Consequently, it connects this intertextuality with the narrative context to enhance the fictional events or the emotional states of the characters, contributing to the overall narrative structure and rhythm. The research concludes with several key findings, notably that intertextuality with folk proverbs has a significant presence in the novel "Cairo Modern," showcasing Naguib Mahfouz's adeptness in handling this phenomenon. The research asserts that the novelist does not evoke these proverbs merely for embellishment, decor, or a display of poetic capabilities. Instead, he employs them for a purpose he deems essential to deepen his ideas and crystallize his vision on a particular issue, aligning harmoniously with the artistic or stylistic structure of his novels.

This research examines the phenomenon of intertextuality with folk proverbs in Najib Mahfuz's novels "CairoModern" and "Respected Sir". Folk proverbs, especially when embedded within literary works, hold significant importance in directing individuals towards the goals sought by the author or in conveying them to readers, thereby motivating recipients to pursue change and improvement. They strongly aid in self-construction, fostering self-confidence and self-esteem, as folk proverbs encapsulate long experiences in concise expressions, enabling readers to overcome various life challenges more effectively. Access to this Arab cultural heritage becomes crucial in shaping one's history and future, enhancing readiness to make informed decisions. From this perspective, this research aims to analyze instances of intertextuality with folk proverbs in the mentioned novels, elucidating how Najib Mahfuzemploys these instances to craft remarkable literary works, showcasing the significant role of the renowned author in the literary field and his adeptness in borrowing, assimilating, or modifying texts. The research adopts a descriptive-analytical methodology, deemed most suitable and prevalent in social and human sciences. Findings reveal that intertextuality with folk proverbs has a significant presence in the novel al-Qahira al-Jadidahand Hadrah al-Muhtaram showcasing Najib Mahfuz’s adeptness in handling this phenomenon. The research asserts that the novelist does not evoke these proverbs merely for embellishment, decor, or a display of poetic capabilities. Instead, he employs them purposefully to deepen his ideas and crystallize his vision on specific issues, seamlessly aligning with the artistic and stylistic structure of his novels.