Browsing by Author "Wan Moharani Mohamad"
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Publication Novel Hamamah Salam Karya Najib Al-Kilani: Satu Kritikan Fitrah(Penerbit USIM, 2023) ;Nurhasma Muhamad Saad ;Wan Moharani Mohamad ;Muhammad Marwan Ismail ;Yee Chin YipAb Adly Rabbanie Ab RahimKritikan fitrah merupakan satu kritikan sastera yang mengkritik karya sastera yang dikategorikan sebagai sastera Islam, dan sumber rujukannya adalah ajaran Islam yang diambil dari kitab suci al- Quran dan hadis. Artikel ini menganalisis kritikan fitrah dalam novel Hamamah Salam karya Najib al-Kilani.. Ia dianalisis dari sudut prinsip-prinsip fitrah yang terdapat di dalamnya melalui watakwatak dalam novel ini. Artikel ini menggunakan kaedah kualitatif melalui analisis dokumen terhadap watak-watak dalam novel ini berlandaskan prinsip fitrah. Hasil kajian mendapati bahawa Najib al-Kilani berjaya menyampaikan dakwah melalui novel atau karya sastera dengan berkesan - Some of the metrics are blocked by yourconsent settings
Publication علـم البديـع وبلاغته في القرآن الكريم؛ دراسـة ّ تحليليـة بلاغيـة لفـن ((الموازنة)) في جزء تبارك(Universiti Sains Islam Malaysia, 2017) ;Wan Azura Wan Ahmad ;Nasr El-Din Ibrahim Ahmad Hussien ;Lubna Abd RahmanWan Moharani MohamadThe objective of this paper is to discuss the semantic and inimitability (ic jāz) elements in various aspects from al-Muwazanah - which is one of the the rhetorical features (al-muḥassināt al-badic iyyah from the lexical embellishment (al-muḥassināt allafẓiyyah). The researcher has based this Qur’ānic study on inductive and analytical approaches by analyzing al- Muwazanah in theQur’ānin part(juz’)of Tabāraka .Consequently, the research successfully shows that the lexical and semantic embellishments employed in the Qur’ān have contributed to the semantics and meaning of Qur’ānic verses in addition to its role in exploring the essence of inimitability and rhetoric of Qur’ān in general and part (juz’) of Tabāraka in particular. The research then concludes that the lexical and semantic embellishments such as al-Muwazanah are not supplementary to the artistic form of the Qur’ān which could be taken for granted, but essentially charged as the rhetorical devices that embody the rhetorical and aesthetic of the Qur’ān as a whole.