Publication:
Religiopolitical and sociocultural factors shaping creative decisions in the production of british and Malaysian Islamic television

Simple item page
dc.FundingDetailsMinistry of Higher Education and Scientific Research
dc.FundingDetailsACKNOWLEDGEMENT This article is part of a research project supported by the Malaysian Ministry of Higher Education Fundamental Research Grant nos. USIM/FRGS/FKP/32/50916.
dc.citedby1
dc.contributor.affiliationsUniversiti Sains Islam Malaysia (USIM)
dc.contributor.authorKarim N.K.A.en_US
dc.contributor.authorAhmad A.F.en_US
dc.date.accessioned2024-05-29T02:01:07Z
dc.date.available2024-05-29T02:01:07Z
dc.date.issued2018
dc.description.abstractBy drawing on ethnographic data gathered from British and Malaysian Islamic television channels between 2012 and 2017, this article argues that different religiopolitical and sociocultural environments in which such television production workers as creative managers, producers and researchers exist, shape how they make creative decisions for religious programmes that they produced. This article points to the extent to which these television production workers from both the British and Malaysian television channels have various degrees of creative autonomy, and how �limited� creative autonomy affects their working life. The results show that the creative managers and producers of British Muslim television channel have lesser autonomy than their Malaysian counterparts. The clash between the Western and Islamic cultures and intergenerational clash are mainly the forms of religiopolitical and sociocultural factors that shape the creative autonomy in Islamic television production in Britain. Such representational issues relating to religious personalities, music artists and performances, and women, are among the constraints that these workers faced. By contrast, creative managers and producers in Malaysia, have some degree of autonomy. Unlike their British colleagues, religiopolitical and sociocultural factors concerning identity politics have less implication for their working life. Nonetheless, despite having a higher level of creative autonomy than their British equals, their creative decisions often are driven by the notion of giving what audiences want. Such commercial pressures as audience ratings and advertising force are the primary factors that shape the creative autonomy of managers and producers of Islamic programmes in Malaysia.en_US
dc.description.natureFinalen_US
dc.identifier.doi10.17576/JKMJC-2018-3401-18
dc.identifier.epage315
dc.identifier.issn2289151X
dc.identifier.issue1
dc.identifier.scopus2-s2.0-85045007557
dc.identifier.spage300
dc.identifier.urihttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85045007557&doi=10.17576%2fJKMJC-2018-3401-18&partnerID=40&md5=684fee0169114b610ad8f966750aab88
dc.identifier.urihttps://oarep.usim.edu.my/handle/123456789/10153
dc.identifier.volume34
dc.languageEnglish
dc.language.isoen_USen_US
dc.publisherUniversiti Kebangsaan Malaysia Pressen_US
dc.relation.ispartofOpen Accessen_US
dc.relation.ispartofJurnal Komunikasi: Malaysian Journal of Communication
dc.sourceScopus
dc.subjectCreative autonomyen_US
dc.subjectMuslim identityen_US
dc.subjectProduction cultureen_US
dc.subjectRepresentationen_US
dc.subjectTelevision labouren_US
dc.titleReligiopolitical and sociocultural factors shaping creative decisions in the production of british and Malaysian Islamic televisionen_US
dc.title.alternativeJurnal Komunikasi Malays. J. Commun.en_US
dc.typeArticleen_US
dspace.entity.typePublication

Files

Original bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
Religiopolitical and sociocultural factors shaping creative decisions in the production of british and Malaysian Islamic television.pdf
Size:
603.1 KB
Format:
Adobe Portable Document Format
Download

Collections

Scopus