Please use this identifier to cite or link to this item: https://oarep.usim.edu.my/jspui/handle/123456789/5927
Title: مصادر الصورة الفنية وأدوات بنائها في شعر رائد المدرسة الأوسية أوس بن حجر: دراسة وصفية وتحليلية.
Authors: Al Wahaibi Said Obaid Abdullah Hamed 
سعيد بن عبيد بن عبد هللا الوهيب 
Keywords: Arabic Poems
Issue Date: Jul-2019
Publisher: Universiti Sains Islam Malaysia
Source: Al Wahaibi Said Obaid Abdullah Hamed. (2019). Masadir al-suwrat al-faniyat wa-'adawat bi-nayiha fi shier rayid al-madrasat al-'awsiat :'Aws Ibn Hajar dirasat wasafiyyat wa-tahliliyyat [Doctoral dissertation, Universiti Sains Islam Malaysia]. USIM Research Repository.
Abstract: 
The study aims at identifying the sources of the artistic image in the poems of the
Oussians school of poets. Diwan Aws b Hajar discussed a model for the study. The study
focuses on the sources of artistic image in ancient Arabic poetry when the Oussians were
specialised, and to identify the most important tools that the Oussians have addressed and
discussed the logic of the image art through the use of creative imagination on individual
and collective memory consciously or unconsciously. And providing an integrated
interpretation of the aesthetics of visual poems and return it to its origins. The researcher
also examined the elements of the sources of the artistic image in the geological poetry by
determining the structure of the verse in the Oussians to the source of the artistic image
through the most important tools: similarity, proximity, shape, interaction, and
homogeneity. These procedural tools are revealing to the text, specific to its features. The
study aims at reaching the goal for which we have penetrated the text of poetry,
highlighting the aesthetic and artistic fascination created by the artistic picture in the text.
The study seeks to understand the most important features of the artistic image of the
poets of the Oussian school. The methodology used to study the sources of artistic image
in the poetry of the Oussian school, the extraction of artistic images. The focus is on the
other end, and it defines the source of the image, ie, the substantive-life, and the physical
- from which the poets of the Ossian school drew their pictures. The study agreed to
adhere to the descriptive analytical approach in general, and did not take advantage of
some of the curriculum integration as needed. The study found that the poetry image is
the most effective key in revealing the secret of creativity in poet's poetry and the
immortality of his art. It opens the way to reveal the hidden life of the poet, to reflect
visual and audio images. The image is based on the picture; to approximate the viewer to
the recipient; to be influenced by the poet's text. Furthermore, the picture is a painting that
accepts everything in the same poet from the repercussions in order to convey to us in a
natural color .
Description: 
4170013 - FPBU
URI: https://oarep.usim.edu.my/jspui/handle/123456789/5927
Appears in Collections:PhD

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4170013 - Declaration..pdf148.95 kBAdobe PDFView/Open
4170013 - INTRODUCTION..pdf869.28 kBAdobe PDFView/Open
4170013 - CHAPTER 1..pdf1.99 MBAdobe PDFView/Open
4170013 -CHAPTER 2..pdf2.27 MBAdobe PDFView/Open
4170013 - CHAPTER 3..pdf2.44 MBAdobe PDFView/Open
4170013 - CHAPTER 4..pdf3.61 MBAdobe PDFView/Open
4170013 - CLOSING AND REFERENCES..pdf881.23 kBAdobe PDFView/Open
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